Showing posts with label Action RPG. Show all posts
Showing posts with label Action RPG. Show all posts

Tuesday, May 26, 2015

Blog: Thoughts on Secret of Mana

Last year I returned to one of my favourite games of all time, Secret of Mana. It was one of the first RPGs I played on the Super Nintendo and it's one of the games that has stuck with me the most since. I have played it at least half a dozen times and started it up more often than that. It's one of those games where I spent hours looking for all the secrets and all the ways to break and bend the game. My nostalgia goggles for this game are pretty strong, so I may be biased in my assessment, but I still think is one of the best games ever made.

Secret of Mana - GameFaqs user PeTeRL90


Secret of Mana is also a game that has influenced my creativity. The first time I thought about writing fan fiction it was for this game (it's long lost, no way to find it, don't ask). It's also the game that has influenced how I would like to make an action RPG in the future. While it doesn't do everything perfectly, it's a very well executed game and I think it has a lot to offer when thinking about creating video games.

As always with my thoughts on video games, please expect spoilers for all of Secret of Mana below.


Things I Liked


I love the style of Secret of Mana. The game's music is astoundingly good, and is used to great effect to reinforce the feelings the player should have as they play. Early in the game you start out, after being ejected from your village, walking through green hills, fighting killer rabites and mushrooms and getting thrown into passing goblins' stew pots and the music is light and sets a tone of setting out on an adventure. Later, you'll walk through caves and forests, visit terrifying ruins where cults are absorbing the souls of the villagers and temples where you find surprise allies.

Don't trust its cute looks. That rabite a killer! - GameFaqs user MagicianMayLee


Later in the game, when you're the only one who can save the world you have to fight though the heart of the enemy's castle. Then you have to find your inner reserves in the pure lands  the power you need to fight though the enemy's psychedelic flying fortress and then you have to fight the terrifying final boss.

Visually the game also supports these feelings. Sprites area always big and bright and you're never left wondering where you are or what you're supposed to fight. The game gets darker as it goes on and you leave the Ghibli hills heading to more intense areas, but it always looks like you have an adventure in store everywhere you go.

Beyond its style, Secret of Mana also shines when it comes to combat. It's incredibly satisfying to be able to step into an enemy who's charging at you and knock a bunch of big orange numbers out of them. The timer that has to recharge between hits is slow by modern standards, but I still like the flow of attack, wait, attack, wait. Using the charged attacks also feels good since you're able to channel tension into making a stronger attack knocking more numbers out and frequently simply slicing through your enemies like they weren't even there. Playing through this recent time I was probably quite over-leveled but I certainly enjoyed being able to take down all those enemies that gave me trouble as a child.

It's time to fight! - GameFaqs user Storm Shadow

One aspect of combat that I particularly like is the use of status ailments. You can be poisoned, confused, immobilized, frozen, or set on fire. They're all immediately identifiable and you are as able to inflict them on your enemies as they are on you. Poisoned, frozen and on fire form a trio, when poisoned you lose health, when frozen you can't act and when on fire you lose health and can't act. They form a basic set of conditions to make combat more interesting without leaving you confused about what's happening and why.

The confused status effect is interesting since it changes the inputs on your controller, so if you're careful and organized you can still cope, but you always end up out of control for a second or two as you re-adjust, when first confused and then again when you stop being confused. Immobilization also fun since you're immobilized by being tied to a balloon, but you can still attack.

The game is also very good about managing tension, particularly by using frequent boss fights. I like this because you always feel like the skills you're developing fighting the little enemies are paying off. You also have a reason to save your magic, knowing that there will be something big to fire it at soon. It also helps pull you through the game since there's always an interesting fight on the horizon.

Secret of Mana also uses (pioneered?) the ring menu. Rather than having to go out to a menu, it's nice to have items, powers and even system options just pop up around your character in game. The icons are easy to identify and other than having trouble remembering where the rings are in relation to each other (do I go up or down to get the items?) I find it to be really fast to get heal up and jump back into combat.

I also like the characters in the game, both the playable ones and the NPCs. They might not be as well developed as in a lot of later games (more on this in the Things I Noticed section), but there's a lot of charm to them all. I recognize that this is probably the aspect of the game that my nostalgia goggles distort the most, but I still find that I'm invested in them. I want to see the good guys survive and do well and I want to take down, or redeem the bad guys. Characterization has certainly been done better but the number of NPCs I still remember, years after playing the game feels very high compared to a lot of other games.

Secret of Mana is one of the first games I can remember with 3 player co-op. While I didn't get to do it too often, being able to play the game with friends was great and it certainly made a lot of things easier when you were able to work with a real person. It's a pretty common element of gameplay today, but back then it was another factor that made me love this game.

Other than the game, I also happened to own  the Prima Player's Guide (picked when it got discarded at the Library, after having borrowed it on and off for years). While I didn't need it to play through the game, I love the way it's written as a story of the characters journeying through the world (going on that adventure). It makes the technical information of how to get past problems in the game more fun. It has a bunch of concept art which also helped me get into the world. Best of all it had maps, stitched together out of the screens of the game which I absolutely loved, because it gives you a sense of the world. It was great being able to see where I had adventured all at once.


    





Things I Didn't Like


The largest problem with Secret of Mana is the balance of the magic powers. Because of the limited amount of MP you have, you tend to limit your use of magic power to bosses, but your magic only levels up when you use it. Beyond this, you're limited in how much you can level up your magic based on how many mana seeds you've visited in the story. This results a lot of the time in your magic not being as strong as you'd like.

You probably don't actually need very high magic levels, but it's difficult not to want them to be as high as possible. It's simply nicer to have the ability to beat enemies more easily, it's not really necessary, but it's nice to be able to take down the final bosses in fewer hits than if you need to hang around and fight them "properly". The magic also gets cooler animation the higher the level it has, at the fourth and eighth levels and then an extra boost when it's fully powered up. It's simply nice to have the cooler magic effects, even though there's no real use for them in the game.

I'm going to set that flower on fire. WITH A FIRE DRAGON! - GameFaqs user Tropicon


The result of this is that if you do level up your magic, you're usually not doing it at the pace of the story and end up standing in a place where you can cast spells as quickly as possible to gain XP and then recharge your MP to start again. This is not exactly the most fun way to power up, and it's a bit of a shame that it seems to be at least somewhat necessary.

Another problem the game has is that despite having a wide selection of weapons to choose from, there's no real reason to pick a weapon over any other. There are differences in reach and very slight differences in power. Having at least some factor where different weapons recharge more quickly would definitely make the game more interesting or at least give you more reasons to try something out. Also having different weapons interact differently with different enemies would be interesting. Don't punch the electric thing use your javelin, don't use a boomerang on that living tree, get your axe.

Armour is worse than the weapons since new armour only increases your defence. It's boring, generally expensive and never feels interesting, especially since your characters appearance never changes. It's also not implemented well, it's several trips into the menu to see what defence you have, then buy the item, then equip the item then sell the old item. The number of times I screwed up the process is surprisingly high causing me to buy more of an item then I needed then have to sell it back afterwards.

As with weapons it would have been nice to see some variety in armour. Being able to put on heavier armour to fight the big hulking boss, or light armour to move quicker, or magic armour to stop the magic guy you have to fight. Having types rather than just "stronger" would have made that part of the game more fun, though it's a limited problem in the game.

The last part of the game that I didn't like was the party AI. They're ... dumb. The number of times I got a party member hooked on the other side of the stairs is so high I can't even tell you. I'm glad that they don't solve it the way a lot of games do by having the characters disappear and then reappear beside you, but there are definitely points where I've had to very carefully wiggle my way around to get us all unhooked and moving again. It would be nice if the path finding was a little more advanced.

There are controls for the AI, they're just limited. - GameFaqs user MagicianMayLee


Beyond the path finding the AI's contribution to combat is also not quite what you'd like. The game does let you set whether they should be aggressive or defensive, but having an AI with a better understanding of what you need to fight and how to fit into the timing of the game would be nice. Still for the time on the SNES I guess this is about as good as we could expect in an action RPG.


Things I Noticed


I have mixed feelings on the story in Secret of Mana. On the one hand, it's enough to pull you through the game and give you enough reason to go and explore the world and see what there is to see. On the other hand, the story is not terribly original and in fact seems to be split into several relatively disjointed parts.

And an adventure begins. - GameFaqs user KeyBlade999


The first part of the story is the hero's journey, from finding a rusty old sword, to unleashing monsters onto the world, to getting banished from his village, to journeying around the world gaining power and friends until he's able to defeat the great evil. For the first half of this game there's a lot of story to keep you moving, but in the second half you're basically running back and forth because a bird told you to (and it turns out that you actually don't even have to talk to Sage Joch, you can just go do the temples with no story at all).

The other part of the story is the fight between the "good guy" countries and the evil empire. This is somewhat tied into the first story, but it's tangential to the things you're doing. You're helping fight the good fight, but only when you're in the right place at the right time.

Then there are the weird side stories, which aren't side quests, they're part of the main journey. Like that time when Santa Claus steals a Mana seed to make people believe in Christmas again. Or when the not-terribly effective Scorpion Army kidnaps one of the elemental sources of magic and uses it to heat a small town in the middle of the ice land.

That's not to say that the story isn't good. I like it. It's interesting. But it is disjointed. All of these pieces are pretty cool, but there's very little stitching them together other than the fact that you happen to be there and smacking the enemies is fun.

A large part of the reason for this is that the game was significantly cut down during it's creation and then the story was further trimmed due to translation constraints. While I'm having trouble finding actual documentation of what was cut, Secret of Mana was originally slated to be the first title for the SNES-CD add on. This would have allowed the game to be much larger and have significantly more space for graphics and music. The original game would also have had a more branching story line. Based on the Wikipedia article, the cuts seem to have generally caused the story to be a lot more restricted and not as dark as the developers had originally wanted. It also seems to have caused some of the technical problems the game has when there are too many things on screen all at once.

Additionally the game was translated into English in only 30 days by a very new translator. Beyond the problem of having only a limited amount of space to put text, due to the fixed width English font, there were also a lot of problems even getting a unified script for the translator to work on. This seems to have reduced the nuance and characterization even further than the change from the SNES-CD.

It's disappointing to lose so much of plot of the game and further to lose the nuance and characterization. It would have been interesting to see the much more complete story, and I would have been happy to get to spend more time in the world. It's also disappointing to realize the points where you don't get to see the real emotion from the characters in the game (for example I had never even realized that there was supposed to be a love triangle between the girl, Phanna and Dyluc).

You'll notice all the hair on your arms stand up - GameFaqs user noidentity

I will say that I don't mind having the game not be as dark as they may have been intending. That's not to say that there's anything wrong with a dark game, and because I haven't seen what they wanted to produces I can't speak to it. But I think there are not enough games that combine strong game mechanics and good storytelling with a lighter story. I think there's a space in the market for serious games that are no so dark as a lot of game makers would like to develop. It's a hard balance to maintain.


Things I'd Include in a Game


Of course the number one thing I'd love to include in a game is music like Secret of Mana has. Beautiful, carefully composed, well produced music would be nice, but more to the point, I want to have evocative music that supports the theme of the game, both of the game generally and of the areas, the characters and the actions. Certainly when I get the chance, I would love to bring in a great composer to work with.

If a cave man asks you if you want to travel by cannon, YOU SAY YES! - GameFaqs user VinnyVideo


I love the sense of adventure of Secret of Mana. I love the way the game gives you a feeling of a safe harbour and an unknown destination. You always have to be careful, but there's always something to see. There may be times when the things you see aren't even really related to the quest your on, but they're just something to pique your interest.

More technically, I like the way the status ailments work in Secret of Mana, and I like that they're equally applicable to you an your enemies (and useful both ways as well). I also like have clear understandable imagery that indicates how you're afflicted and possibly how long it's going to last.

Finally I like the way the skills work. I didn't put points into being good with the sword, I got good with the sword because I used it a lot. It's a pretty common concept in RPGs, but it's still the way I like to see talents improve through game play.


Final Thoughts


I think Secret of Mana is one of the best games on the Super Nintendo. Actually, I think Secret of Mana is one of the best games on any platform. There are a few things that mark it as old, combat is slow and the story is a touch thin, but I think these are easily over come and not playing this game is skipping over a classic.

Replaying this game I thought a lot about how important the balance between game play and story telling is. I was always happy when the game switched me from one to the other. "Oh good, I get to go kill more monsters." "Oh good, I get to see more of the story." I think Secret of Mana has a good balance and it kept me interested even though the story is linear and you can't change it as you play. I think from a game creation view, this is a good platform to begin on. As you add more story, more choice or more gameplay elements make sure that you keep the fun balanced.

Thursday, August 14, 2014

Projects 8, 9, 10 and 11: The Future Pack: Updates

The set of future projects that I wanted to write down but not start yet, also gets updating although I'm still not actually going to put a deadline on any of them yet.

  • Project 8 - Space Station Simulation Game
    • This is still on the back burner, although I have given it some more thought. I'm also thankful that SpaceBase DF-9 while similar is not exactly what I was thinking (although it may prove to be that it is what it is since it's hard to make a space station simulator the way I've imagined it.
    • I'm not going to start on this project until I've taught myself Unity as an environment to work in and made a simpler game first.
  • Project 9 - An Action RPG
    • The Action RPG is still the game I would most like to make, but as with the Space Station Game I want to get a little more experience so that I can make something I'm happy with.
  • Project 10 - A Sci-Fi Novel
    • This is the future project that I'm least ready to start. Given that it's something I've been thinking about for years it's a difficult project to work on.
  • Project 11 - A Fantasy Novel
    • This is probably the project I'm closest to really attempting to start. At the moment I'm not sure how much time I have to dedicate to it, since there are some other things I'd like to do and there's still that pesky PhD to work on.

Monday, March 11, 2013

4 Future Projects


There are a few things that I've been holding on to, in the hopes that I'll be able to get to them even though I don't have the skills or experience or time to tackle them right now. I don't know that these totally count as brain crack, but they're close enough. So I'm going to put them up here and make them projects so that I can stop thinking about them and maybe get some stuff done as well.

These are all pretty long term projects that don't fit in right now, which is why I'm putting them up here together. Until I'm really ready to do things with them I'm not going to give them deadlines through.

Project 8 - A Space Station Simulation Game


So I like management games. I may or may not have spent the petter part of 2 months last year planning transit routes across various cities. I've certainly manage the living daylights out of all the historical railroads and a fair number of amusement parks. I've commanded revolutionary Chinese armies and built them into thriving kingdoms. I've also built quite a few successful airlines. All that, not to mention the booming megalopolises I've guided along the way. (And dwarves ... there was some time with the dwarves.)

Most of these games have a pretty low level when it comes to AI. And I've thought it would be interesting not only to do the planning, but also to manage a staff/crew that has to help get the work done and administrate themselves.

I've been thinking of various games of this sort for years. I've wanted a  version of Tie-Fighter, where you still pilot all the missions, but as you advance in rank (which is a skill based system as I recall, not just based on the number of missions flown) you take a larger and larger role in planning the missions. But that's another story ... or game.

In the game I'm thinking of for this project, you take on the roll of a recently appointed station master assigned to a newly opened sector. Each sector will have a primary theme, mining, settlement or military which will steer how your station develops. 

Ships will arrive and you'll have to provide services to them, including cargo services, fuel and supplies and shore leave. You'll have to cater to your onboard population, who will have jobs on the station, or work near the station or just visit coming back from the frontier. You'll need to keep your station running and expand it to meet growing needs of the station and the sector. You'll have to police the station and work with the military to make sure the station is safe from pirates and other unsavoury folks with space ships.

You won't do this alone however, you'll have a staff. You'll have senior administration which will take care of the operations of various parts of the station, but you'll have to make sure that you've given the right jobs to the right people. If you get things right over time you'll all get better at running the station.

Now I'm not 100% sure that this will actually be fun. I have a passion for games that tend to play themselves. I like the management genre, so I feel like there's a seed that might actually be able to blossom into something cool. It probably won't be for everyone even if it works, but hopefully it will be fun for someone.

It's also worth pointing out that Spacebase DF9, developed during the Double Fine Amnesia Fortnight, seems pretty similar to this. The flavour's a bit different and it's developed by people who know what they're doing, so it may turn out to be way better and way more fun. I have honestly been thinking about this game since before the Fortnight (and I'm not apt to be on the level of Double Fine to begin with).

Project 9 - An Action RPG


I've loved Secret of Mana for more than fifteen years now and one of the things I'd like to do is see it revisited as a grown up game. Basically I'd like to make a 2d 16bit-esque, controller based action RPG that's as fun as Secret of Mana, but addresses some of my pet peeves about the genre.

The feeling of playing Secret of Mana was always one of it's biggest draws for me. Particularly as you get more powerful, charging up an attack and landing it just right feels like you're really accomplishing things. This is reinforced by having the nice colourful numbers pop out and then bounce on the ground before disappearing and of course as you do bigger damage the numbers get bigger (as in they show up in a fatter font with larger sprites).

Traveling in Secret of Mana was also very nice. You start out kicked out of your village with the whole world to explore and as you go you get destinations that are farther and farther away. At the beginning you might hear about a place but later you get the chance to travel there. At the end of the game when you get to fly then there's a whole other set of explorations where you get to find all these tiny and surprising locations (which sometimes become much larger).

I love Secret of Mana for more than just those two reasons but they're the primary ones I'd like to recreate in my own game. There are also some things I'd like to include.

The first of those is that the size of the world is always weird in computer games. If you look at Secret of Mana the largest city in the world has maybe 50 people in it. You come from a town with maybe 8 people. This of course makes sense for the limitations of the technology at the time, but it still makes the world feel a bit strange.

My proposed solution to this is to not use the whole world, but only a little bit of it. You can't walk across the whole of the world in Secret of Mana, but it only takes 10-15 minutes to walk between most major metropolitan areas and less if you're not intent on murdering everything along that path. When you can fly you can make it around the globe in a minute or less. My thought it to limit the world to an island. It will still be smaller than the real world (I'm not Rockstar) but at least the scale will make more sense. This should sooth some of the over thinking that I for one tend to do about the world and it will also help focus the story.

The second thing I'd like to address is the amount of combat and killing in rpgs. This one I'm a little less sure about since for most games this makes up the majority of the game play, but I'd like to put a little more weight and consequence into the game. You will still be a person with a weapon, who has to fight to survive and to right wrongs in the world, but I want it to count if you kill something. Given a recent article on Gamasutra about RPG genres I think this will also help focus the game, and keep it about the story rather than about being the right level all the time.

As far as the story goes, I'm still working it out. I know that there will be a fight between the forces of the wild and the forces of civilization. This isn't a fight between good and evil (in itself), but a fight between the wild island and the invading forces of an imperial civilization from the mainland.

There's a few ways I want this to manifest, one of which is in the architecture of the buildings. You will see in very wild areas very green colours and wood and somewhat organic shapes to things. In very civilized areas you'll see much more regular shapes and stone and golden yellow colours.

I'm also interested in having more mature characters in the game, rather than the jrpg standard of teenagers with spiky hair. I see the story of the game being told from two different perspectives one of a retired soldier who is working as a shepherd in the very north of the island and the other is a young merchant in the south. At the beginning of the game I see the soldier having to react to a sudden attack on his flock by dire wolves and the merchant will have to react to an attack on her caravan by bandits.

Over the course of the game the player will switch back and forth between the two characters until eventually they meet in the middle of the game and the middle of the island. Towards the end of the game they will have to work together to resolve the tensions on the island in which ever way the player chooses.

Project 10 - A Sci-Fi Novel


I started writing this novel in junior high school, which was a very long time ago now. But it's sat in my head and been mulling and melting around in there ever since. This is the story of John Onoray and Jorris Boss and The Third Imperial Commando Group as they fight to defend and then reclaim the Terran Empire.

If that sounds a bit tropey, well it's because I started writing it when I was in junior high school as I mentioned. It's better now than it was then, originally it was mostly about space warriors with incredible powered armour that was loaded down with missiles. (For the record, I didn't actually base this on Starship Troopers ... I actually tried to make Robotech more reasonable...) Eventually I realized that books need things like antagonists so created some super clones that were designed specifically to fight them.

The characters are still with me and I still have the skeleton of a story that isn't quite as terrible as what I started out with. I'm also interested in the idea of a character saving the world despite being unsaveable themselves, and this is a story that explores that. So I'm going to write it, even if it sucks and do my best to see it through to the end. If it's really terrible (and it'll be my first novel, so it will be) it can sit in my desk and at least I can finally think about other things.

Project 11 - A Fantasy Novel


This book is motivated a little bit by the movie Hero. Not anything to do with plot mind you, but I love the purity of colour in that movie and wanted to try to do something that evoked that same feeling. The problem is that while I have a feeling I want to evoke and a setting I've derived from that feeling, I don't really know what the story is yet.

So far, I know that the story starts in the city of Rooves, which is a city that grew up out of the coalition of five tribes that came together from the planes and coast to build a strong city.  Each of these tribes is represented by a different colour that is shown in the way they dress and their building (hence the rooves). Each of the tribes has a particular area of strength, but all economic and social activities are common across all the Rooves. The White Rooves are mostly focused on mining and metal smithing, the Blue Rooves are focused on land-based agriculture, the Yellow Rooves are focused on sea-based agriculture, the Green Rooves are focused on on sea trade and the Red Rooves are focused on military.

Within each of the Rooves people have a personal name, but also an animal that is representative of the work they do. So a general might be Eran the Red Tiger or a smith might be Marik the White Bull. Each house is lead by the Colour Dragon. Exactly how I'm going to make all that fit together without being weird is something I'm not sure about. I want the society to be egalitarian and merit based, but I also like having a certain amount of hereditary nature to the families.

The city is ruled by the Council of Dragons, which is made up of the Dragons of each of the Rooves. For each of the matters of the city which needs organization there is a council with representatives from each of the Rooves.

Finally there's a somewhat secret 6th tribe, the Black Rooves. They're extremely reclusive and seem to function as fortune tellers, but I haven't nailed down exactly how that's going to work either.

The main character is Cassimi the Blue Falcon, a young lady just starting her career in the Messenger Guild. She's the niece of the Blue Dragon and the Daughter of the Blue Tiger (who is the general of the cavalry in the city). She's intelligent, energetic, but young and inexperienced. I want her to be tough, but I'm not sure if that's something she'll have to develop over the course of the book. Beyond that I'm still working on how to give her a good arc that makes her interesting.

The story starts with her on her first day as a messenger,  then continues as she has to unravel a mysterious attack, eventually needing to travel to find out that dragons have returned to the world. Then ... something, possibly she has to rush back to save the city from something, but that seems really boring.

So there's still a lot to do, but if I write it I can edit it and maybe get something good out at the end, like the Sci-Fi Novel. And, if there's not too much good to get then I can enjoy the experience, let it lay in my desk too and go on to do other things.



Reading

I’m not sure that anyone, myself included, really needs this post. On the other hand, I read a thing about re-reading and I want to write ab...